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MONOTONES ... MR WORDLY WISE ... RAYMONDA

MONOTONES Mar & Apr 99
"Ashton's magical Monotones with Bussell starring ... her sleek appearance, gleamingly white-tighted with spearing leg-extensions in vertical splits produced gasps of delight" David Dougill
Sunday Times
7 Mar 99
"It had to be Darcey Bussell who was winched up mast-like on to one toe, the other leg clasped vertically to her forehead, to be revolved slowly like a figure on a cake. Stunning" Jenny Gilbert
Independent on Sunday
7 Mar 99
"Ashon's Monotones seems to be all leg.  And who better than Bussell, with her voluptuous extensions, to plunge into those almighty arabesques?" Debra Craine
The Times
9 Mar 99
"Darcey Bussell's long, poised lines folded and stretched beautifully in the plastique of the second trio" Nadine Meisner
The Independent
9 Mar 99
"The perfectly-crafted choreography was gloriously etched within its classical frame by Bussell" Emma Manning
The Stage
25 Mar 99
"The lavishness of her movements and phrasing made it a lovely performance" Zoe Anderson
Dancing Times
Apr 99
MR WORLDLY WISE Nov 98
"Tharp built the ballet around three of the Royal's most individual talents ... Darcey Bussell was still glamour personified last weekend" Louise Levene
Sunday Telegraph
1 Nov 98
"Bussell extracts everything that is possible to draw from the role of Mistress Truth-on-Toe" Emma Manning
The Stage
5 Nov 98
"... brilliant dancing by Darcey Bussell ..." Barbara Newman
Country Life
12 Nov 98
RAYMONDA ACT III Nov 98

"Raymonda needed Darcey Bussell to give us a sense of occasion"

Debra Craine
The Times
4 Nov 98
"... the last act of Raymonda with Darcey Bussell on admirable form in her solo, grand in manner, delicious in clarity" Clement Crisp
Financial Times
4 Nov 98
"Darcey Bussell was magnetic - both commanding and laced with nuance. Nothing could be more exciting than seeing the superb Igor Zelensky hoist her into the air like a blazing star at the end of one arm" Ismene Brown
The Daily Telegraph
5 Nov 98

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